Similar Posts
You’ve Been Out-Cosplayed, Son
(click to enlarge) Another year, another time I don’t get to go to SDCC. Sigh. Someday damnit! Until my plans fell through I was trying to think what costume I might dress up in should…
Five Books That Could Be Amazing Movies But Never Will Be
Certain books just beg to be adapted to the screen. Whether it’s a certain character that’s so vibrant that you can’t help but wonder how your favorite actor would bring them off the page, or…

Crappy Must See Movie of the Week: Hardbodies
Since so many of you who read this site are years younger than myself I feel it is my obligation to introduce you to a class of movies your generation just doesn’t know, understand, or…
Unreal Movie Review: The Lucky One
In my review of The Vow a few weeks back, I initially mis-identified it as being based on a Nicholas Sparks book. It had Sparks veterans Rachel McAdams and Channing Tatum, and was a straight-faced…
It Never Ends: Disney Meets Sailor Moon
Alright, I swear I’m not purposefully seeking these out, they simply just keep coming to me like I’m a magnet for Disney Princess art. It’s starting to get a little weird frankly. That said, I’m…

The X-Men Do Comedy
Bobby Rubio is an animator that worked at Nickelodeon on The Last Airbender TV series, one of my favorites, and in his spare time he likes to draw awesome stuff like this. As you can…
One Comment
Leave a Reply Cancel reply
You must be logged in to post a comment.
This site uses Akismet to reduce spam. Learn how your comment data is processed.
All I have to say is thank you. I’ve studied Kubrick in college for several projects now, and he is one of my favorite directors, and I thank you for the gallery, and thank you for saying the truth that no one wants to hear. We can tout a lot of modern filmmakers, but damn . . . when you watch a movie in, say, the 70s, and you see how each shot is painstakingly set up to use reflections, colors, and movement to capture not only what is supposed to real, but what these people think, feel, and what they are going to do – without saying a word – it becomes very obvious that type of filmmaking is dead. There are some filmmakers from time to time that use some of these old standards (Paul Thomas Anderson is one). We can’t settle for calling every big movie a classic anymore, our standards are too low. But yeah, makes me sad. 2001 has so much detail in it it’s rediculous. Man, I miss those kinds of movies.