Similar Posts
Unreal Movie Review: “Godzilla”
ByPaulIt’s hard to believe that in this age of endless superhero blockbusters, it was a Godzilla reboot that turned out to be one of the most buzzed-about blockbusters of the summer. It’s a film nobody…
A Gallery of Wicked Cool CGI Art from Victor Hugo
ByPaul(click to enlarge) So I saw this picture floating around (no pun intended) the internet the other day, and I decided to not only feature it, but to hunt down the original artist and see if…
5 Comedy Sequels That Could Work
In today’s crazy movie world we’re just not going to get around the fact that studios will be remaking movies again and again. It’s something all three of us here at Unreality are kind of…
A Mind-Blowing Gallery of Amazing Darth Vader Artwork
ByMadisonIt’s no secret that we’re big fans of Darth Vader here at Unreality. I mean, what’s not to love about the guy? He’s imposing, virtually unmatched with the lightsaber, and has one of the…
Alright, So Lars Von Trier Just Isn’t For Me
ByPaulPerhaps I’m a “bad critic” for saying this, as his films are meant to be appreciated by the types of people who can psychoanalyze them at cocktail parties, but Lars Von Trier just isn’t my…
Who to Bet on Come Oscar Night
Best Director – In recent years, Best Director has become an easy way to knock off a few of the Best Picture candidates from serious consideration. Since in years past Best Picture winner invariably took…
One Comment
Leave a Reply Cancel reply
You must be logged in to post a comment.
This site uses Akismet to reduce spam. Learn how your comment data is processed.







All I have to say is thank you. I’ve studied Kubrick in college for several projects now, and he is one of my favorite directors, and I thank you for the gallery, and thank you for saying the truth that no one wants to hear. We can tout a lot of modern filmmakers, but damn . . . when you watch a movie in, say, the 70s, and you see how each shot is painstakingly set up to use reflections, colors, and movement to capture not only what is supposed to real, but what these people think, feel, and what they are going to do – without saying a word – it becomes very obvious that type of filmmaking is dead. There are some filmmakers from time to time that use some of these old standards (Paul Thomas Anderson is one). We can’t settle for calling every big movie a classic anymore, our standards are too low. But yeah, makes me sad. 2001 has so much detail in it it’s rediculous. Man, I miss those kinds of movies.