Similar Posts
Hugo Weaving: More Than a Nerdy Face
Here’s the thing about Hugo Weaving. He’s number one on the list. Yeah, that list. You know the one. Anyone who knows me will attest to the fickleness of my celebrity crushes, so depending on…
The Blade Runner Christmas Special That Never Was
ByPaulThe Nerdist has gotten together to poke fun at the Star Wars Holiday Christmas Special (because that hasn’t had enough fun poked at it), by making their own variant based on Blade Runner. The Christmas…
Crappy Must See Movie of the Week: Walk Like a Man
Give that last week’s recommendation featured Howie Mandel I realized that just about every movie he’s been in warranted consideration for the “Crappy Must See Movie of the Week” column we so covet on this…
The Decades Film Alphabet by Stephen Wildish
I’m guessing that at this point in time you guys know how much we like minimalist art. Well, these amazing film alphabets by Stephen Wildish are about as minimalist as they come. He’s essentially gone…
You Should Netflix This Now: “In A World…”
One of the lessons I took away from watching In A World…, the directorial debut of the supremely talented Lake Bell, is that stakes can be anything, as long as they matter. Hell, there was…
Death of a Hutt by Oliver Akuin
ByPaulI don’t believe I ever thought the strangling death of Jabba the Hutt would ever be classified as “adorable,” yet here we are. The art is from Oliver Akuinand he’s made the scene practically something…
One Comment
Leave a Reply Cancel reply
You must be logged in to post a comment.
This site uses Akismet to reduce spam. Learn how your comment data is processed.





All I have to say is thank you. I’ve studied Kubrick in college for several projects now, and he is one of my favorite directors, and I thank you for the gallery, and thank you for saying the truth that no one wants to hear. We can tout a lot of modern filmmakers, but damn . . . when you watch a movie in, say, the 70s, and you see how each shot is painstakingly set up to use reflections, colors, and movement to capture not only what is supposed to real, but what these people think, feel, and what they are going to do – without saying a word – it becomes very obvious that type of filmmaking is dead. There are some filmmakers from time to time that use some of these old standards (Paul Thomas Anderson is one). We can’t settle for calling every big movie a classic anymore, our standards are too low. But yeah, makes me sad. 2001 has so much detail in it it’s rediculous. Man, I miss those kinds of movies.