Similar Posts
Realistically Casting the Gears of War Movie
ByPaulGears of War creator Cliff Bles zinski appears to be slightly delusional when it comes to casting the upcoming Gears movie. Granted any game creator doesn’t want their pride and joy turned into a horrendous…
Unreal Movie Review: The Box
ByMadisonI wasn’t quite sure what to expect from The Box, the new film by Richard Kelly and based on the short story “Button, Button” by Richard Matheson. While I consider Kelly’s first movie, Donnie Darko,…
Movies Aren’t Getting Worse, TV and Video Games are Getting Better
ByPaulThere’s been a lot of talk recently about how TV is “killing” movies these days, as cinema quality experiences are now appearing on the small screen with shows like Game of Thrones, Breaking Bad and…
Is Comedy the Future of 3D?
ByPaulby Zack Ruskin There is perhaps no element of modern film more controversial than the rebirth of 3D. What was once a novelty in horror movies and pulpy genre flicks has now become a staple…
“That Guy” Actor of the Week: Frank Vincent
Have you ever noticed that since the 70s nearly all the same guys have appeared in gangster movies? I mean literally. They’re all just much older now. It’s like directors in Hollywood have this list…
Mondo’s Amazing Oscar Movie Posters
ByPaulI simultaneously love and hate Mondo. On the one hand, they create fantastic posters that are lovely to look at and unlike anything else out there. But on the other, they are insanely expensive and…
One Comment
Leave a Reply Cancel reply
You must be logged in to post a comment.
This site uses Akismet to reduce spam. Learn how your comment data is processed.





All I have to say is thank you. I’ve studied Kubrick in college for several projects now, and he is one of my favorite directors, and I thank you for the gallery, and thank you for saying the truth that no one wants to hear. We can tout a lot of modern filmmakers, but damn . . . when you watch a movie in, say, the 70s, and you see how each shot is painstakingly set up to use reflections, colors, and movement to capture not only what is supposed to real, but what these people think, feel, and what they are going to do – without saying a word – it becomes very obvious that type of filmmaking is dead. There are some filmmakers from time to time that use some of these old standards (Paul Thomas Anderson is one). We can’t settle for calling every big movie a classic anymore, our standards are too low. But yeah, makes me sad. 2001 has so much detail in it it’s rediculous. Man, I miss those kinds of movies.