Ten of the Best Performances in Music Biopics
The best music biopics convince us that we’re watching a private, hidden part of a musician’s life. Hollywood has given us a substantial amount of music biopics over the years, featuring portayals of artists from all genres of music. Lots of actors have played musicians to varying degrees of success, and when an actor nails a role, the result makes for a damn good movie. Here are, in no particular order, ten of the best performances in music biopics:
Gary Oldman as Sid Vicious in Sid and Nancy
Gary Oldman is one of the best actors in the world, so it’s no surprise that his portrayal of Sid Vicious was generally applauded. Oldman showed us Vicious’ drug-fueled relationship with his girlfriend, Nancy Spurgen, and lost a ton of weight to more closely resemble the emaciated Sex Pistols member. Apparently, Johnny Rotten felt that only the stage persona of Vicious was shown, but also noted that Oldman’s performance was very good. Oldman’s performace in Sid and Nancy is definitely worth checking out.
Angela Bassett as Tina Turner in What’s Love Got to Do with It
Bassett received an Academy Award nomination for her role as Tina Turner in What’s Love Got to Do with It, impressing audiences with her transformation ito the leggy singer. Of course, most people remember this movie for the scenes when Ike Turner beats the everloving sh*t out of Tina. I know I do.
Joaquin Phoenix as Johnny Cash and Reese Witherspoon as June Carter in Walk the Line
Phoenix and Witherspoon were both so good in Walk the Line that I decided to group them together so neither would be left out. I’m not a huge Witherspoon fan, but she showed that she can really act – she won an Academy Award for her performance – and she can sing, too. She’s just completely adorable in Walk the Line, and I wanted to hold her and cuddle with her like she was some kind of pet, a substantially different feeling than my usual desire to defile and degrade, which I suppose she should take as a compliment of sorts. Phoenix is terrific as Johnny Cash, and I was blown away by his ability to sing in the exact same style and tone as The Man in Black.
Lou Diamond Phillips as Ritchie Valens in La Bamba
Diamond Lou is a freaking stud. His portrayal of rock star Ritchie Valens let audiences see Valens’ private life and relationships with his family and girlfriend, while also enabling them to enjoy his rise to fame. In high school, I asked my Spanish teacher what the hell “La Bamba” translates to. Her response was disappointing, to say the least: “La Bamba.”
Jamie Foxx as Ray Charles in Ray
Countless critics have gushed over Foxx’s Academy Award-winning performance in Ray, so any praise from me is likely to be redundant. Instead, I’ll share an anecdote that’s only tangentally related to Ray. My mother, my sister, and I went to the movies one weekend afternoon, undecided as to what we’d see. My mom really wanted to see Ray, but my sister and I were pressing for Saw. When we get up to the ticket counter, my mother asks the twenty-something year old girl behind the window how Ray is. The girl tells her that it’s great, but it’s also like three hours long. “How long is it?” my mother asks, stunned. I poke my head in between the girl and my mom and, with a grin, tell the girl “About ten inches.” The girl blushes, my sister starts hysterically laughing, and my mother calls me disgusting. I can’t think about Ray without thinking about that moment.
Val Kilmer as Jim Morrison in The Doors
Jim Morrison was a rock star if there ever was one, and thanks to Val Kilmer, we get to see how all the sex and drugs that come with being a cultural phenomenom affected The Lizard King. Oliver Stone’s The Doors is a film that isn’t afraid to show the iconic lifestyle of excess led by Jim Morrison, and Kilmer does a great job playing a man adored by millions. Kilmer, like Phoenix, can sing, and his vocals were blended with music from the real Doors for the film’s soundtrack.
Dennis Quaid as Jerry Lee Lewis in Great Balls of Fire!
Dennis Quaid did an awesome job recreating the on-stage, maniacal persona of Jerry Lee Lewis, particularly in the scenes where he’d stand at a piano and spastically smash its keys. Lewis was a flawed individual, and I think that Quaid’s portrayal showed that, too. Plus, underage incestual marriages!
Forest Whitaker as Charlie Parker in Bird
Forest Whitaker can friggin act. Have you seen him as Idi Amin in The Last King of Scotland? Simply incredible. Before playing the brutal Ugandan dictator, though, Whitaker transformed himself into jazz legend Charlie “Bird” Parker. His impressive performace landed him a Best Actor award at the Cannes Film Festival.
Tom Hulce as Wolfgang Amadeus Mozart in Amadeus
Admittedly, Hulce’s performance as the legendary Mozart is my favorite in any music biopic. Perhaps it’s partly because I loved Hulce as Pinto in Animal House, but nevertheless, in Amadeus, Hulce delivers. His portrayal of the musically gifted genius paints Mozart as a lewd, dynamic, and possibly Divinely-powered composer, husband, and father. Hulce was nominated for Best Actor, only to lose to F. Murray Abraham, who played Salieri in the very same movie. Naturally, Abraham deserves praise and mention in this article, but in my opinion, it’s Hucle’s performance – weird cackle and all – that drives this movie.
Sissy Spacek as Loretta Lynn in Coal Miner’s Daughter
I’m one of like seven country music fans that live in New York (especially if it’s some David Allen Coe), so I’m not immediately turned off by a biopic about a country singer. Spacek won an Academy Award for her role as Loretta Lynn in Coal Miner’s Daughter, which was adapted from Lynn’s biography. Lynn was a proponent of women being strong, standing up for themselves, and not taking any sh*t from their scumbag husbands, and Spacek captured the spirit of Lynn’s outlook perfectly.
Great list! Amadeus is my #1 favorite movie ever! Tom Hulce – HAHAHAHHAHA!
What about Sam Riley as Ian Curtis of Joy Division…probably not the happiest movie but still great and mentionable
Gary Busey as Buddy Holly?
where are da six chars (sply blanchett) from “I’M NOT THERE”