Ron Moore’s Helix Is A Bit Out-Of-Shape


One time, I made the heads of so many Battlestar Galactica (aka BSG) fans explode.

While Syfy’s program was in its infancy, I posted in one forum something to the effect (but not exactly) that I wasn’t all that impressed with Ron Moore’s ‘interpretation’ and that, if pushed to the max, I still preferred the simpler “good vs. evil” tone of the original.

Suddenly, I was the subject of much scorn.

Folks treated me as though I’d made some huge faux pas, like I threatened the life of a sitting President or that I’d said I didn’t get the internet’s collective orgasm over all things Joss Whedon, J. Michael Straczynski, and Guillermo del Toro. (In fact, if you don’t know whom those three folks are, you’re possibly better off.) Heck, I can remember getting forever banned from one website for saying something as benign as “Firefly just isn’t my cup of tea.”

Methinks fandom and scorn are not a match made in Heaven.

But, hey, back to Ron Moore

All I’d stated about Moore’s writing was that it seemed too heavily reliant on contemporary events and modern times. As such, it might prove to be a great barometer for today but might not have great re-watch quality for future generations of TV viewers in syndication. In other words, Moore’s BSG meant plenty to us, but it may not mean much to our kids, grandkids, or great-grandkids.


To clarify, consider M*A*S*H.

For those of you who haven’t seen it, M*A*S*H was a very successful TV show depicting the drama and antics associated to the doctors, nurses, and general staff of 4077th Mobile Army Surgical Hospital. Although it was set during the Korean War, everyone and his mother’s uncle knew that the writers constantly commented on the conflict in Vietnam, something fresh in the minds of its audience. (Interestingly enough, I pretty much said the same about M*A*S*H, and friends and family thought I was crazy back then, too.) Like BSG, I don’t feel that M*A*S*H has great viewing significance to today’s audience except for a study of that generation – namely, the 60’s and 70’s.

This isn’t to say that M*A*S*H didn’t tell good stories. It did. And M*A*S*H’s characters are some of the most sharply drawn in all of TV history. My argument is that because of its narrative focus M*A*S*H won’t have the cultural longevity and impact of other series. M*A*S*H meant plenty to audiences of its day, and it probably meant something for its next generation of viewers … but, as times change, so do tastes and mores and morality; thus, the program’s relevance dips with each successive generation.


Star Trek, by contrast, told stories much the same – used allegory to explore contemporary social themes – but it did so in such a way as to preserve the “good vs. evil” aspect of whatever conflict represented. As Roddenberry often said, Trek was about the ‘human adventure,’ and he and the writers took great pains to stay relevant and universal (not limited to one culture’s breadth of experience). Consequently, Trek has arguably had the strongest legs of any TV creation.

Which, hey, brings me back to Ron Moore …

Moore and Syfy have now launched Helix. It premiered last week to fairly consistently critical praise. Once again, I find myself it that uncomfortable position of wondering out loud (and in print, no less) if I watched the same show everyone else did.

The premise – a team of Centers for Disease Control (CDC) specialists are called to an arctic research facility when the release of a possible retrovirus defies containment – sounds eerily similar to 1951’s The Thing From Another Planet (which John Carpenter remade in 1982 as The Thing): you’ve got the virus-like creation … you’ve got the arctic … you’ve got a secret research facility … you’ve got the threat to mankind if it gets out, etc. Perhaps this working similarity is what show creator Cameron Porsandeh wanted to capitalize on – “Why, it’s been 31 years again, and that means it’s time for another look at this story!”

Helix - Season 1

The sci-fi drama stars genre favorite Billy Campbell, who I’ve been told was nearly cast as Commander William Riker on Star Trek: The Next Generation. Campbell appeared on TNG as a guest star; he also headlined Walt Disney’s The Rocketeer and was a regular on The 4400. His Alan Farragut character leads the CDC research team in investigating what went wrong at the base while also trying to stop the spread of infection. The rest of the cast is populated by not-necessarily familiar faces.

The premiere was, essentially, two individual hours cobbled together to make a pilot movie, and, if it’s any indication of what’s in store, then I suspect Syfy has ‘more of the same’ on its hands … which is to say it isn’t very good.

In crafting a successful program, I’ve always argued that a show needs three things without exception:

(A) A solid premise;

(B) An idea relatable to viewers; and

(C) Characters the audiences care about.

Considering I’ve already established the reliability of the premise by drawing its similarity to previous works, let me explain why I don’t think Helix relates to viewers.

Unlike The Walking Dead (TWD) – which presents a reality wherein even those of us who haven’t become Walkers still carry a dormant strain within us – Helix’s germ needs to (apparently) be spread by mouth-to-mouth contact with an infected carrier. Well, since very few of us have any desire to head to the arctic wastelands and lock lips with these scientists, I think we’re in the clear. Some critics I’ve read immediately drew comparisons to TWD – i.e. a virus, a contained area, Helix’s own version of Walkers, etc. – and all I can repeat (again) is that they clearly watched some other cut than I did. I wouldn’t even call Helix’s Walkers ‘walkers’ because it’s clear that they’re possessed of their own faculties, unlike the zombies who are only interested in eating human flesh, not spreading their disease.

So, in my estimation, Helix is an idea foreign to viewers.


Lastly, I couldn’t relate to any of Helix’s characters on any level except for my personal fear of being exposed to some incurable contagion. In fact, if I didn’t know any better, then I would’ve suggested that Helix’s writing is more akin to the ‘soap opera’ than it is science fiction. There’s a love triangle between two brothers and their inappropriately shared gal-pal (all scientists?!), and this conflict drives the show’s central themes. There’s the older female scientist’s dislike of the younger female scientist because of that old tried-and-true “men want younger women” argument. And within the squad of scientists working at this secret high-tech facility there apparently isn’t one of them who had any trouble lying to the CDC or the greater world outside about whether or not monkeys were used in their experiments!

See what I mean? For a show presumably centered on science, none of these scientists are acting very much like Bill Nye, Stephen Hawking, or even Mr. Spock for that matter.

Still – because I’ve learned my lesson of talking trash about BSG and Firefly – I won’t dismiss Helix as a total failure. It’s decidedly out-of-shape and had better right itself quickly or I suspect it’ll lose whoever boarded it from the start. Billy Campbell’s a nice guy and all; Ron Moore’s got game (he’s billed as the producer, and no doubt Syfy is expecting returns from his participation); but this thriller is short in the ‘thrills’ department, though it has ‘chills’ in spades

(Chills? Arctic? Get it?)

I’ll let the passage of time prove me right or wrong.

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  1. I was entertained by the show, and ultimately that’s what I care about. The second I’m no longer entertained I move on ::cough:: Revolution ::cough:: I like the premise but agree that I did find it tough to relate to any of the characters or even care about them which made…

    …the shower scene at the end kind of an “oh well, that sucks” moment instead of a TWD Hershel “NOOOOOOOO” moment.

  2. I ,for my part, don’t understand the praise at all. Those “scientist” where borderline braindead when it came to “sciency” decisions. I’ll give it two more episodes to recover, then it’s byebye

    1. That was my take, too, that the scientists didn’t even behave remotely like scientists woulda/coulda/shoulda relating to their handling of just the basics. Now, to be fair, it could be that the writers were hard-pressed to handle all of the science along with introducing human characters they wanted the audience to care about; but, in the process, I think they missed both marks.

  3. My problem with it was the shear stupidity of the characters. The CDC has incredibly rigid protocols when it comes to unknown infectious diseases. Especially diseases that liquify two corpses in under 3 days. It seemed to me that their approach to a ‘disease’ was laughable. Then every piece of data they collected about it was immediately dismissed. Example 1 this disease makes the carrier incredibly strong solution no one should go anywhere alone we need everyone to go everywhere in pairs. Then the next five scenes was every character going off alone. Example 2 assuming you could immediately tell that the disease was not airborn and was in fact transferred by touch only. Why would you do an autopsy on infected monkeys without a hazmat suit? Why would you go into a room with potentially infected people with nothing more than a face shield and let those people touch you over and over again? So that’s my main problem with the scientists. Let’s move on to the facility itself. You are trying to track down infected people in a high tech facility wherein every person has an RFID chip in their hand. In order for that chip to work there are computers where you can see every stupid door that person has passed through and when. You could revoke access effectively sealing them in where ever they are. In theory quarantine should have been a breeze but they spend most of the time searching for people that they should have been able to locate right away. Now lets take a step back from all of that assume everything is fine and I was being overly critical. Your telling me that the head scientist at this facility has no idea what his people are working on except to say it’s a mutagen or something! Why on earth would they buy that excuse come on people!

    1. I don’t know why this show is getting so much praise. I expected better writing and me and wife had the exact same issues with the show that you listed above. What I was hoping for was a TV version of the The Andromeda Strain… Instead we get bullshit. There is way better TV to be had than to waste my time on this show.

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