Bruce wears the same clothes through the whole movie because there is no tomorrow, or night, or day. There is only the present here and now for him. He’s a ghost and is drawn to the kid to find solace for himself because of his failure with the patient who shot him.

I’m ready for the flames but I thought DK had more holes. Most glaring when Batman beats the joker in the interogation room. I get the Joker is crazy but now he doesn’t bleed? Batman who can break limbs with ease doesn’t give the Joker a bloody nose when he slams his head off a wall? Oh and the Badass mob guys didn’t just have him shot when he walks into their secret meeting before doing his “magic” trick. It was a good movie but if you want to poke holes DK was full of them.

On the note..

Thank you for saying what you said about The Sixth Sense. Everybody says the movie its genius. They say: “you feel like and idiot and, when you go back and watch the movie again, you see all the clues were there”.

The fuck it was… The little kid gets home and there’s his mom sitting on a chair and Bruce Willis sitting on the next one. How the fucking fuck did he get in? The mom didn’t open the door to a ghost she can’t see. And I’m pretty sure the guy would noticed being able to walk through walls.. I mean.. It COULD be justified by the fact that he sees what he want to see. So he probably saw the mother opening the door for him, even tough she didn’t. But.. I dunno, it always seemed like a lame ass explanation to me.

In Batman Begins Bruce says “you still haven’t given up on me yet have you Alfred?” Alfred replies “never.”

In the middle of the third movie Alfred gives up on him. After supporting Bruce for almost a decade he just ups and leaves because he can’t stand to see Bruce go through with being the Batman one last time? I don’t think so.
It was obvious to me that his character needed to take a back seat so this was an easy fix to cast him aside for the rest of the movie until the end.

So, nobody in Gotham put two and two together that Batman and Bruce Wayne are the same person…even though there were like five other tumblers around Gotham that look not identical but similar to the bat mobile.

Bane gets taken out like a panzee. After catwoman shoots him you should see him faintly in the distance grow to an outrageous size and step back into the sunlight light and Batman and Catwoman commence to the final battle with Bane.

I do think it is brilliant that Robin was in the movie but at the same time Robin wasn’t in the movie.

The space suits/environmantal suits the crew dons for the trip outside are said to be able to withstand extreme temperatures und extreme pressure and such. They even prove to be in the mega-hailstorm some of the crew are exposed to after their first trip to the structure.
Yet later, as one of them is infected with the black goo, it simply burns to cinders after a few blasts from the flamethrower.
And the suits dome shatters after a single blow in the fight with the zombie and from someones fall to the floor.
Sure, I’d go out into space in these things anytime! XD

I felt like DKR and Avengers set up both of those “holes” within the narrative. It was implicit rather than explicit, and maybe both could have benefited from a little more explanation, but I enjoyed both movies a lot.

Prometheus was just poorly thought out, most unforgiveably in terms of characterization. #Postal’s analogy re: the scientists acting like camp counselors at a haunted lake is the best I’ve heard so far. That’s hilarious.

Pony versus horse – ponies have more stamina than a horse. Reasonable choice, given the circumstance.

Sixth Sense: it may not make sense to a living person, but the character not realizing he’s dead, despite the fact that he’s not alive and doing the things a normal person would do (going to work, taking a cab, whatever) his ignorance is completely in line with the internal logic of the movie. Ghosts are ghosts because they can’t quite let go. They need to move on, but can’t. If we accept that we can be a ghost in the first place, it’s not a stretch to think that they experience life in a kind of altered reality.