May 08 2012
Harry Potter and the Goblet of Fire
While the Harry Potter books are enjoyable for the most part, there are some notable problems with the series. One of the most obvious is J.K. Rowling’s tendency to veer off on wild tangents that derail the forward momentum of her stories. It looks like her editors were able to keep her on track for the first three books (with the third being the series’ best), but by the fourth she had become too popular for that. The Goblet of Fire — which, at 752 pages, is a whole book longer than any of the first three books — was filled with wandering storylines: S.P.E.W., the Quidditch World Cup, and plenty of other bits nearly cripple the already improbable storyline.
Screenwriter Steve Kloves and director Mike Newell took a scalpel to the book, skillfully extracting the core plot and character threads while leaving behind nearly everything that didn’t matter. Gone are the unnecessary distractions, bringing the characters and growing menace of the story to the forefront. And the movie still retains much of the detail that makes up the world, like Rita Skeeter, the Unforgivable Curses, or the eerie world of the Triwizard Tournament. It just never gets so enamored with any of these ideas that it forgets why we came in the first place.
This is kind of an apples-and-oranges situation. The Iliad (not The Aeneid, like I thoughtlessly wrote earlier) is an ancient epic poem; Troy, a modern action film. They’re going after completely different things, going about their aims in completely different ways, and generally couldn’t be further apart from each other without being entirely unrelated stories.
That said, I don’t get a whole lot out of Homer’s original. The way the gods act in his text is distracting, particularly when they swoop into the middle of a battle to remove key players from the action. Homer’s Odyssey includes gods and fantastical creatures much better. Then again, the main conflict in The Odyssey is between men and gods (or at least men and fate). The Iliad’s conflict is much more between men; two nations are at war. In the film Troy, the gods were taken completely out of the story, allowing the focus to fall squarely on the war waged over petty revenge and hubris. The human element is much more important, allowing the story to resonate more for its human viewers.
War of the Worlds (2005)
Before you burn me at the stake, let me clarify. I’m a huge H.G. Wells fan, and if you remove the different versions from their cultural context I don’t know that one is better than the other. However, War of the Worlds is one of those stories that deserves to be retold every now and then, as it can offer a lot of commentary on different periods in history. The first film adaptation was of reasonably high quality; it (like much of that era’s science fiction) pitched the story against the fears and imagery of the Cold War.
In the early 2000s, Spielberg came to a realization, “I thought that this story’s time had come again.” It was a stroke of brilliance to deal with 9/11 through H. G. Wells’s century-old classic. The images in the movie arise very organically out of the story, but the specter of 9/11 hangs over the event. Missing-person posters, victims covered in dust, military trying to keep the peace. This allows Spielberg and writer David Koepp to use the text to examine the paranoia and weaknesses of our current society, and as a member of that society, this is somewhat more compelling and noticeably more relevant today than Wells’s book, while still retaining the lean structure and addictive concept that make up the core of the story.
You know the drill. Sound off below with your picks for movies that in some way improve or enhance the original material. I’ve been wondering about The Prestige and Fight Club in particular, having not read those myself. Anybody know?
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