Apr 22 2011
I’m a big trailer fan, which sounds weird to say, but to me there’s nothing like a superbly edited and scored trailer to get me excited for a film their eithier A) I was pumped about already or B) wasn’t going to see but the trailer was so good it changed my mind.
I’ve said it before, and I’ll say it again, music is what makes a good trailer great, and almost all of my favorites have had a memorable song to go along with the action on screen.
This list is a compilation of my favorite song/trailer combos from the last few years. There have been great instrumental tracks as well (Sin City and 300 come to mind) but I’m sticking with songs that have actual words to them
Check out my selections below:
1. Song: Sleigh Bells – “Kids”
Yes, I realize this is a Taylor Lautner film, but I think outside of Twilight the kid could have potential. I wasn’t really digging this trailer, but when that song comes on? Everything becomes instantly awesome.
2. Song: Johann Johannsson – “Sun’s Gone Dim”
Movie: Battle: Los Angeles
This haunting robo-melody actually has lyrics that pertain to the end of the world (“the sun’s gone dim and the sky’s turned black”) making it appropriate for this film in more ways than one.
3. Song: Placebo – “Running Up That Hill”
I thought I couldn’t take one more vampire movie, but this trailer lured me in and led me to a surprisingly great movie. Also, this song was from The OC. Ah the memories.
4. Song: MIA – “Paper Planes”
Movie: Pineapple Express
One of the best options here, Paper Planes scoring this trailer was better than anything that actually happened in this movie. Damn you raised expectations!
5. Song: Arcade Fire – “Wake Up”
Movie: Where the Wild Things Are
Arcade Fire scored this whole movie, and Wake Up is the best track from it. I thought the film itself was a failed art project, but at least it sounded cool!
6. Song: Smashing Pumpkins – “The Beginning is the End is the Beginning”
Watchmen had a few great trailers, and it was hard to choose between this one and the second one with Muse’s “Take a Bow.” But Billy Corgan’s voice just fits in this world, and I can’t imagine it working for any other film.
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